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Thursday, February 28, 2013


EYE OF BUFFALO



One of the most amazingly mysterious sites that one can ever
witness from the Mother earth is in the heart of the Sahara Desert in Mauritania which looks like an eye (viewed from the top).

Due to this close significance that the place has come into the radar of various tourists as well as various scientists /geologists trying to find the reason of what led to the formation of such a thing.


If the zoom 1 we note, what form can you imagine?

According to my imagination, I see a buffalo head shape. The heart of the Sahara Desert in Mauritania as its eye.


God's creation really great, full of great art and mysteries. We are not able to describe the mysteries of this universe.

Sunday, February 24, 2013

'REJANG DEWA' DANCE

Arts, culture, religion and spiritual civilization are united in Bali. It was spread all over the world, that Bali has numerous special things that are not necessarily owned by other regions. Religion and art mingle in Balinese culture, resulting in a variety of work that is still preserved, such as painting and dance.
Balinese painting art has developed since the reign of the kings, as well as the art of dance.
Balinese dances' development are quite rapid, variety of modern dance has been created and it's often performed in great events. 
No less important in Balinese dance is the religious element, and the show had to be done by certain people. 
'Rejang Dewa' dance is one example of a religious dance, performed exclusively by virgin dancers. The dance movements are very simple yet progressive and agile, full flavor, inspiration & devotion to Hindu deities. We are as Hindu always give ritual to the entire universe in the form of art. It is performances held at the temple ('Pura'), dancing with a line encircling the temple yard at the time of the occurrence of an indigenous ceremony or ritual Hindu Dharma.
It's usually danced by 6 or more girls accompanied by Balinese special music called 'gamelan' or 'gong'. The dancers are dressed in a festive ceremony with lots of decorations.

In 13th of November 2012 we performed the ceremony 'Pemlaspasan & Rsi Gana' on 'Pura Penataran Tampuagan' in Karangasem regency. 'Rejang Dewa' dance was played at the ceremony, performed by my daughter and my nephews. Their appearance was good enough, agile and funny. I hope these children will be able to dance a variety of Balinese dances because that is our responsibility in cultural preservation.
 
'Rejang Dewa' dancer, that performed by 7 little girls. They are (from left to right) : Dian, Komang, Ayu Widia, Eta (my daughter), Luna, Ami, and Winda. 


The dance performed

Friday, February 15, 2013


BHAGAVAD GITA

The Bhagavad Gita (The Song of the Bhagavan) is a 700-verse scripture that is part of the Hindu epic Mahabharata. This scripture contains a conversation between Pandava prince Arjuna and his guide Lord Krishna on a variety of theological and philosophical issues.
Faced with a fratricidal war, a despondent Arjuna turns to his charioteer Krishna for counsel on the battlefield. Krishna, through the course of the Bhagavad Gita, imparts to Arjuna wisdom, the path to devotion, and the doctrine of selfless action. Bhagavad Gita upholds the essence and the theological tradition of the Upanishads. However, unlike the rigorous monism of the Upanishads, the Bhagavad Gita also integrates dualism and theism.

Here I would like to show one of my work that finished in 2011, entitled Bhagavad Gita.
This is Kamasan style painting (Balinese classical painting) that I sketch by Bamboo Wacom.

It's depict a conversation between Arjuna (on knees) and Krishna (standing) on a horse-drawn carriage before starting the war with the Kauravas. In this scene, Krishna explains the theological and philosophical issues, substantiating that Arjuna should not be hesitate to start the war. Lord Krishna says to Arjuna, "You should not be afraid to kill them, you are a tool for me to wipe out the crime". Thus Krishna indicates identity as Avatar of Vishnu (standing, incarnated behind Khrisna)Avatar of Vishnu described as a great giant that bring all weapons of the gods. This shows the power of him as Almighty God. Arjuna finally regain his confidence to stand up to fight against all the Kauravas (cousins ​​of Arjuna) on Battle of Kurukshetra.
On the horse-drawn carriage, Arjuna puts the symbolic flag of Hanuman as his strength. According to story before the war, Hanuman had met the Pandavas and he promised always give strength to the Pandavas.
Two people squatting down are Twalen and Merdah. They are loyal devoted clowns to Pandavas. They described translate any spoken conversation of Krishna and Arjuna.

Saturday, February 2, 2013

THE DIRTY MAC


The Dirty Mac were a one-time English supergroup consisting of John Lennon, Eric Clapton, Keith Richards and Mitch Mitchell that Lennon put together for The Rolling Stones' TV special entitled The Rolling Stones Rock and Roll Circus. Recorded on 11 December 1968, this was the first time since the formation of The Beatles that Lennon, who was still in the group, had performed in public without them. The Dirty Mac recorded a rendition of the Lennon-penned Beatles track "Yer Blues" and then went on to back up Yoko Ono and violinist Ivry Gitlis on a track called "Whole Lotta Yoko" (essentially an extended blues jam on top of which Ono improvised free-form vocalizations). The name, thought of by Lennon, was a play on "Fleetwood Mac" who at that time were a very popular band in the United Kingdom. When asked what type of guitar amp Lennon would like to use for the performance his answer was "One that plays".

In 1996, The Rolling Stones Rock and Roll Circus, the album of the event, was issued, concurrently with a home video of the event. The DVD issue followed in 2004.
Members :

Eric Clapton – lead guitar (from Cream)
John Lennon (as Winston Leg-Thigh) – vocals, rhythm guitar (from The Beatles)
Mitch Mitchell – drums (from The Jimi Hendrix Experience)
Keith Richards – bass (from The Rolling Stones)

Additional musicians :

    Ivry Gitlis – violin
    Yoko Ono – vocals on "Whole Lotta Yoko"